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Music For The Soul - Circumstance |
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Written by Crate Digger
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Sunday, 16 December 2001 |
“Get a simple two-bar
beat going with 8's on the hat kick on 1 of the first
bar and snares on 2 and 4. Build a loop with whatever you’re working
with, knock out a b-line, and then knock the kicks up to the b-line.
Then work on
any different sections if there are any, then arrange it. After that
it’s all down to what the vocalist does with it.”
“Get a simple two-bar
beat going with 8's on the hat kick on 1 of the first
bar and snares on 2 and 4. Build a loop with whatever you’re working
with, knock out a b-line, and then knock the kicks up to the b-line.
Then work on
any different sections if there are any, then arrange it. After that
it’s all down to what the vocalist does with it.” Confused yet? I was
after I
was given this explanation of how to put a hip-hop track together from
London-based producer Circumstance. The 23 year-old Cornwall native has
been making beats for four years. During the last eighteen months he
has contributed to ‘Neon Verses’, the debut LP from Birmingham rap
group The
Elementz, and has provided excellent production on the ‘Substance
presents… Lyric
Superbrand’ compilation album.
If you have heard any of his work, you will be aware that
Circumstance’s production has a rich, soulful sound to it. This is
probably due to the
fact that, as well as making hip-hop beats, Circumstance is also a
jazz-funk musician. He has been playing the bass guitar for a decade
and has recently
started learning to play the piano. Though Circumstance believes that
his musical training has definitely helped him with his hip-hop
beat-making, he
also values highly the art of sampling. “I think there are too many
people that don't think making tunes out of samples is talented,” he
states. “I've
heard it said to me loads, ‘Oh that's where you knock out a loop and
put a heavy beat behind it’. ‘So what?!!’ is what I say. Loads of the
classics
have been just that. I do think it’s a good idea to make your own ish
up, but I've knocked out straight loops and I don't feel that it’s
anything less
than the stuff that I've spent ages chopping up.” Circumstance adds
strongly, “If it’s a straight loop, it’s one hell of a compliment to
the
original composer.”
Circumstance was first introduced to hip-hop when a friend lent him a
copy of
Nas’ seminal ‘Illmatic’ LP, and he began making beats soon after he
enrolled in a music course at college. “At the end of the course I did
a
remix EP… you know just matching acapellas over tracks that I'd knocked
up,”
he explains. “Some of it was really simple stuff - Beatnuts beats that
I'd chopped up… and old funk loops… The production wasn't that great,
but, it
was my first effort. I got my own set-up after that and just started
making beats.” In addition to several jazz-funk artists, Circumstance
cites
hip-hop acts like People Under the Stairs and Dilated Peoples as
musical influences. He admires the work of Rodney P and the Nextmen,
and dreams of
working with Black Thought, the lead rapper for The Roots. Although it
is clear that he has developed a definite taste for the music,
Circumstance
freely admits that he is still a relative newcomer to rap music. “I've
only been into hip-hop seriously since about '95 which in hip-hop
[terms means
that] I'm a bit of a baby. I listened to a lot of acid jazz before that
just cause I liked the sound of it and didn't know where to look for
the
proper stuff.”
Circumstance is now making up for lost time. He has recently completed
production on a track for an artist called
Michaelis Constant and he is
also working with a female vocalist on a sample-free soul album. “I
just like making music and my life has got to be the main source of
inspiration,”
he declares. “If I'm in a bad mood I'll throw myself into beats. If
I've been stupid enough to get weeded at the wrong time and my PC is
there, I’ll
make beats. That's how [the track] 'A King with Words' came about.” The
tune that Circumstance talks of is the debut effort from his new
hip-hop
group Beat Rhyme Connection. He describe his group’s music style as
being ‘soulful’ and breaks down each member’s role as follows:
“[There’s] myself
on production, Taharka writes and performs the flows and [DJ’s] Sneakee
and Clockwork do the cuts. We started the project about April of this
year
[2001] and Taharka has been writing the lyrics since. Taharka's
background is in Birmingham where he hosts Thursday nights at the
Medicine Bar… Sneakee
and Clockwork are from my home county of Cornwall and we've known each
other since school. Sneakee has entered all of the major DJ battles
this year and
he's also just teamed up with Tiger Style and Dare Devil to form the DJ
team 'Untouchables'. Clockwork is a show DJ [and performs] excellent
cut patterns
with phrasing that really blows my mind.”
2002 is set to be a busy year for the Beat Rhyme Connection because
after dropping the ‘A King With Words’ 12”, they are planning to
release a
three-part series of records. “The trilogy is going to be a set of
vinyl releases consisting of two 12"s and a 5-track EP,” explains
Circumstance.
“The idea is behind it is to get maximum exposure for Beat Rhyme
Connection by creating three releases, released in consecutive months.
All the
releases will be linked by [their sleeve design] and musical style. The
basic idea behind it is just saying to everyone ‘we're here!’”
All of the Beat Rhyme Connection’s material is to be released through
UK Records Ltd, an independent label that Circumstance has recently set
up.
Although releasing homegrown hip-hop is not always the most lucrative
of enterprises, he is still confident that his record label will be
successful. To him, his goal is very simple: “To release phat tunes for
the people,
stuff that people in this country can relate to. I'm not disrespecting
gangster rap, but it’s so far removed from this country that it’s not
that
real to us… [I just] wanna write tunes about phat nights out, old
friends… stuff that anyone anywhere can relate to. It’s just about the
music and
pushing the UK scene.”
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