The collective have built a reputation for their frenetic, irrepressible live shows following dates with Plan B, The Streets, De La Soul, Example, Ghostpoet, Labrinth, Rizzle Kicks, Florence and The Machine, a spot on the MOBO tour and festival dates including Reading, Leeds and Bestival.
Clement Marfo And The Frontline's music has previously been used to accompany everything from Steven Gerrard goals to coverage of the Superbowl, and they've also won the support of influential fans such as Ed Sheeran, Zane Lowe, Mistajam and Huw Stephens.
They also performed before a live global audience of millions when they opened the David Haye versus Dereck Chisora boxing match which was held at London's Upton Park in July. In addition to the 30,000 capacity crowd, the performance was broadcast by Sky's specialist boxing channel BoxNation in the UK and by EPIX in the States, where the fight was also shown live on the big screen at New York's Times Square.
The soaring crossover sound of Clement Marfo And The Frontline returns with a vengeance when they release their new single 'Last Night' on November 26th on Warner Brothers Records. The release is a hedonistic celebration of party excess, the collective's powerful, cross-genre sound blends a truly anthemic hook with insistent rhymes set to pounding beats. The chaotic, alcohol-fuelled video for the track features three special guests in the shape of Made in Chelsea stars Spencer Matthews and Hugo Taylor, as well as model and Celebrity Big Brother contestant Georgia Salpa.
The explicit version of the track features C4 the MC behind the 1Xtra playlisted tracks 'OoRITE' and 'Off Track', while the single will also be backed with mixes courtesy of Birmingham's grime beatmaster Preditah (C4's brother) and Sibling, who delivered the official dubstep remix of Sneakbo's underground smash 'The Wave'.
The main track is a hard down tempo plodder, but the chorus is unashamedly pop and it does make you wonder what the group are up to seemingly dropping much of what they stood for back in their formative period. Is this the influence of a big label, is this the way the artists want to develop and be perceived, or are they tired of being successful in a small parochial scene and want to break out to other things and possibly increased financial reward? Do they simply have to sell out in order to repay Warners' advance and their rider? Either way this is a song in two halves, each half appealing to a different audience and I guess the hope is that neither half discourages the other. To be honest this gamble will probably pay off and Clement Marfo will increase his audience, but for me the pop is just too much and puts me off.
Clement Marfo said, "After the phenomenal response from 'Mayhem' we arranged to get back in the studio with producer Matt Schwartz. The brief was to create 'Mayhem' on steroids! After hours of coming up with melodies and concepts, we watched The Prodigy's 'Smack My Bitch Up' video and the scenes polluted my mind to come up with the line 'I don't remember what I did last night... but tonight, I'll do it again!' The lyrics, the production all fell into place which later on led director Martin Pickering to instantly engage with a visual of close ups and explicit scenes. I love the use of the 360 camera rig and the animated stills. As a media geek, I was more interested in the toys (technology) than the naked ladies walking around on set but all in all, I had way too much fun for what was meant to be work. The perks of a being a music artist..."
Clement Marfo And The Frontline will preview the release of the single when they get rowdy with a headline show at London's Barfly on October 22nd. Tickets are on sale now.
Release Date: November 26th
Official video featuring Made in Chelsea stars Spencer Matthews and Hugo Taylor:
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