Full track audio video of Percy Filth's bonus remix of Redbeard's track 'So Tight' which is the B-side off the 'Recurring Dream' single out now. Disgusting rhymes getting into the nitty gritty of money issues.
Birmingham MC Redbeard is back! leading off with some fire remixes from his last project to be released on Louis Den. First out the gate is the headnod Kelzwiththaheat Remix to his track Recurring Dream featuring Mike Lazy.
Philosophical, reflective, optimistic: Jehst as the mayor of 'One Horse Town' is the drifter returning to a higher plain. Warmth and a sense of community rise from brass band arrangements, mutedly yet poignantly playing to an innocently glacial melody, and a gospel-style choir whose quiet resonance achieves inner peace.
Sonnyjim brings in White City based Lord Apex to join him for The Process. Both MCs come with a lazy flow and exquisite wordplay. This latest single is produced by Buckwild and is a complete burner. Classic mellow backing and vocal insight into the MCs lives and thoughts delivers a mad link up on new levels.
Ramson Badbonez is Hip Hop. This is a little less frantic than some of is other tracks, but is just as deep and the message is just as strong. Flows are perfected and the ability to convey a lyric with meaning are key tenets of Ramson's style.
Two UK stalwarts have teamed up for a very limited release. Sonnyjim on the vocals and Giallo Point on the production. The result is No Vi$ible Means Of Income a release which should become highly sought after.
Here we have the newly produced live action video for Love Music. Previously distributed was the audio only. This video directed by D Facer sees Badbonez rapping over a montage of old footage of past artists.
Unleashed! Hiphop mainstay Ramson Badbonez drops a sinister freebie produced by Konasir Beats titled "The Beast" weaving rapid fire bars.
On "Love Music" Ramson Badbonez and Konasir Beats team up to lead things off with this track "Mr White" which conceptually explores the parasitic nature of racism.
“Get a simple two-bar beat going with 8's on the hat kick on 1 of the first bar and snares on 2 and 4. Build a loop with whatever you’re working with, knock out a b-line, and then knock the kicks up to the b-line. Then work on any different sections if there are any, then arrange it. After that it’s all down to what the vocalist does with it.”